Įarly use of the NS-10 among engineers include Bob Clearmountain, Rhett Davies, and Bill Scheniman in the US, and Nigel Jopson in the UK. Its use spread to New York where the NS-10 was adopted at The Power Station and other studios. Other engineers heard the NS-10 for the first time and were impressed by its sound. Ladanyi then began using the speakers in a Los Angeles studio. The engineer, likely to have been Greg Ladanyi, monitored a recording session through the speaker in a Japanese studio and brought a pair back on his return to the US. It probably first reached American shores through a recording engineer's visit to Japan. The NS-10 displaced the Auratone 5C Sound Cube as the nearfield monitor of choice in the 1980s and was recognised for its ability to reveal shortcomings in recordings. Recording engineers came to rely on the NS-10 as a benchmark. Originally conceived as a domestic hi-fi speaker, the NS-10 was designed by Akira Nakamura and launched in 1978.
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